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《菩萨蛮·山亭水榭秋方半》原文翻译及赏析_作者朱淑真山亭水榭秋方半凤帏寂寞无人伴愁闷一番新双蛾只旧颦起来临绣户时有疏萤度多谢月相怜今宵不忍圆
《醉垂鞭·双蝶绣罗裙》原文翻译及赏析_作者张先双蝶绣罗裙东池宴初相见朱粉不深匀闲花淡淡春细看诸处好人人道柳腰身昨日乱山昏来时衣上云此为酒筵中赠妓之作首句写她所穿的裙子罗裙上绣着双飞的蝴蝶东池两句记相见之地东池相见之因宴并且点明她侑酒的身份朱粉两句接着写其人之面貌而着重写其淡妆闲花淡淡春以一个确切的具体的比喻将她的神情风度勾画了出来上层社会的行乐场所多数女子都作浓妆一个淡妆的就反而引人注目了故此闲花虽只淡淡春却大有一枝独秀的风致张先显然受了张祜的启发但闲花淡淡春一句仍然很有创造性唐人称美女为春色如元稹称越州妓刘采春为鉴湖春色此处春字也是双关
《引驾行·红尘紫陌》原文翻译及赏析_作者柳永红尘紫陌斜阳暮草长安道是离人断魂处迢迢匹马西征新晴韶光明媚轻烟淡薄和气暖望花村路隐映摇鞭时过长亭愁生伤凤城仙子别来千里重行行又记得临歧泪眼湿莲脸盈盈消凝花朝月夕最苦冷落银屏想媚容耿耿无眠屈指已算回程相萦空万般思忆争如归去睹倾城向绣帏深处并枕说如此牵情


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